Monthly Archives: September 2013

Broke Bad (spoilers, obviously)

The Breaking Bad finale was last night. It was as well-shot, well-acted, and satisfying as I’ve come to expect. I’m going to miss it, along with the excellent critiques at the AV Club that always shed some new light on it, and the official podcast that got deep into the characters’ skins with word from the actors and writers.

If I were to criticize it for anything, and this is barely a criticism, it’s that the plot didn’t really surprise me. I say that’s barely a criticism because I don’t know if surprises were or even should have been a priority at this point. We all knew what the “Mr. Chips to Scarface” premise entails, so we knew the broad strokes at play here.

A few things did surprise me about the execution. He (seemingly) found a way to get the money to his family. The slow pan to reveal that Walter was there the entire time Skylar was on the phone with Marie was chilling. His jerry-rigged automatic gun was a very Breaking Bad spin on the “say hello to my little friend” moment. The most satisfying for me was that he admitted, to Skylar, the audience, and himself, that he wasn’t doing this for some noble goal. He liked it, and it made him feel alive. I suppose at a certain point the show felt it had to spell it out, for the benefit of people who went to the very end claiming he was doing the wrong things for the right reasons.

But all that said, the story happenings themselves didn’t surprise me. I’d prefer a well-executed but somewhat predictable ending to some tacked-on twist. Walt, in the last shot, looks at the camera and says, “I never had cancer.” No thanks. But can you even imagine?

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Lessons from PitchJam (Or: “What the Heck is a PitchJam?”)

As you may have seen me tweeting, I took part in PitchJam this weekend. Similar to a GameJam, this was targeted specifically at giving advice to aspiring video game freelancers. They would send a pitch, it would get forwarded to some randomly selected panel volunteers, and we would give feedback on how to polish it up for submission. We also had a few chats scattered around where writers could talk to us directly. It was a really great exercise for me, both for thinking critically about pitches and putting that feedback to work in a practical way. The Good Games Writing blog has already said it wants to do another, and I’d like to do it again.

None of the pitches I received were outright bad, but everything can use a little improvement. So in the spirit of the event, I thought I’d summarize some of the common bits of advice I found myself needing to tell more than one writer.

Consider where you pitch. This is basic, but it’s an absolute must. When formulating your pitch you need to think through the audience that will be reading it. That will influence how you shape your idea, what kind of pitches you send to which outlets, and how much detail you share. Since word count is at a premium (more on that later), you might not need to go into painstaking detail about a niche game or genre if you’re pitching to a site that specializes in that game or genre. Always consider the audience.

Grab their attention quickly. Editors tend to knock out pitches in a row, and they get flooded with them. Grabbing their attention quickly is important. Your opening line especially, and your opening paragraph in a more general sense, are there to paint a picture. This isn’t a hard and fast rule, but I like the three-paragraph structure: punchy opening, detailed proposal, closing comments.  But on that note…

Watch the size. This question actually came up at one of our chats, and while the answers differed, we generally agreed that 300 words is around the sweet spot. You don’t want to go too far above that. As I said, editors are busy. And besides that, if your finished piece will be 1,000-1,200 words, you don’t want to write out half the length just to explain it. I’m pretty sure it was the excellent writer Rob Rath who pointed out in the chat that if you’re going on that long, it probably means your scope is too large. Split it into two or more pitches.

Give it credibility. If you’re an expert on the subject you’re writing about, explain why. If you’re not, don’t be afraid to say that you’ll be reaching out to experts. You don’t necessarily need the interviews already lined-up, but having them helps. If you don’t, make sure you don’t over-promise. Simply saying you want to talk to someone who knows about science is more realistic than promising you’ll score an interview with Stephen Hawking. If you need to find an interview subject, I recommend colleges and universities. Professors tend to be very friendly, and love the opportunity to just talk about their passion for an hour.

Tell YOUR story. Sometimes, the most interesting thing you can talk about is yourself. If your own life has given you some interesting insights or anecdotes, think about whether you feel comfortable sharing them. If you do, it will make the piece that much more of an interesting read. People like to read about other people.

Close like a cover letter. Always, always, always say thank you for their time. No matter how casual the site, no matter how well you know the editor. Imagine you’re trying to score a job interview, because you kind of are.

Back to Bloggin’

This thing has gone silent for a good long while, but I recently decided to update with a bit more regularity. I don’t think I’m going to do daily updates with the news, since that made it feel more like a chore and I always felt like I was letting down some imaginary audience when I was too busy for an entry. But, I do plan on updating with thoughts about the conversations of the day, at least inasmuch as I can.

For a perfect example, see Grand Theft Auto 5. I’m reserving public judgment on it because I’m reviewing it. We’ll be saving our Shacknews review for after GTA Online comes out, so I don’t have to rush through and we can just review it all as one complete package. As a result, I’m keeping myself from chiming in too much on the discussion about misogyny.

I will say, though, that “it’s satire” isn’t a very good defense against charges of misogyny. If you’re going to excuse the game portraying Very Bad Things as satire, you should argue about why it’s smart and effective satire. I think that answer is a little too easy to shrug off criticisms, and if it’s truly excusable as satire, we should expect to hear some cogent thoughts on how successful it is at accomplishing its satirical goals.

(I don’t have much of an opinion on it one way or the other yet, but depending on how strongly I react to the story, positively or negatively, I expect I’ll touch on this in some way in my review.)

You probably also noticed that the blog looks different. I got a bit sick of the old one, especially due to its emphasis on pictures. This job doesn’t really involve visual media, at least not of work I’ve done myself, so it felt weird simply putting up pictures of media I respect and admire. This one puts the emphasis on text and text alone.

Finally, my Twitter and LinkedIn profile both list me as “East Coast Editor” for Shacknews now. I have a title! Exciting times.